For the, it made sense because they were able to work with someone local versus someone overseas. I started making music at home on little computer setups, sending it around to developers. It was cool because I was able to contact people who lived in the same town as me – which was Brisbane at the time – and back then we had Pandemic, the THQ studio, and quite a few others. Mick Gordon: It’s interesting, I started about 12 years ago and, at that time, there were about 40 companies making video games in Australia, and there were very few people doing sound. PC Gamer: Since you’re based in Australia, how did you get started in the industry? Currently he’s working with Arkane Studios on its Prey reboot, which-as he relates below-will mark a departure from his recent, foot-to-the-floor audio rampages. He’s worked on two Need For Speed games, as well as Shift 2 Unleashed and ShootMania Storm, to name a few examples. Based in Australia, Gordon’s been around for a while.
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